Phylos: I knew these people… is a multi-sequence video installation that interrogates the fragility of human perception within the "artificial intelligence apparatus". Harnessing a collaborative workflow with GPT-4 and synthetic voices, the work dismantles personal Super 8 archives into unstable strata of image, sound, and text.

If I Ever Get Around to Living marks the inaugural collaboration between Mingxiang Wang and Ken Nakajima. Characterised by its profound simplicity and raw emotional clarity, this physical theatre piece explores the quiet persistence of "living" amidst the mundane and the existential.

Archipelago (2024) is a physical theatre production performed at platform theatre. Directed by Ken Nakajima, the work uses the geographical metaphor of an archipelago—a chain of islands—to explore the tension between individual isolation and collective belonging.

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HOWL X SHYGIRL (2025) is a campaign performance for HOWL Worldwide — a queer-founded, sex-positive sexual wellness brand — for the launch of the HOWL x SHYGIRL SKIN. Wang's body inhabits a space between desire and refusal, performing pleasure not as spectacle but as a form of quiet political presence.

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Chapter One: The Façade You Wore (2025) is a fashion editorial and campaign for Howard Atelier, published exclusively in KALTBLUT Magazine. Shot in a site of charged intimacy, Wang inhabits sculptural millinery as wearable masks — probing the liminal territory between public persona and private self.

Seeking Shadows (2024) is a compelling dance theatre production directed by Ken Nakajima and performed at Rich Mix, London.

Vertigo (2024) is a multi-media installation and experimental film in collaboration with visual artist SungHoon Song — exploring the ontological yearning for falling, the state experienced most acutely in moments of stability. Exhibited at Zero Space Tokyo; selected by NOWNESS ASIA.

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Pulling Threads (2024) is a queer dating show produced by the National Film and Television School (NFTS), premiered at BFI Southbank, London. Wang appears as a performer and contestant in a format that fuses craft-making with queer intimacy — a space where vulnerability is the material, not the obstacle.

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Liminal Stranding (2023) is a one-person show written, directed, and performed by Mingxiang Wang — his MA graduation work at Central Saint Martins. Combining live performance with projected cinema across three screens, the piece uses a single toilet on stage to hold open the spaces between public and private, clean and dirty, here and there.

Shame (2023) is a multidisciplinary performance exploring shame within the LGBTQ+ community through live movement and fashion design. Nominated for the MullenLowe NOVA Award at UAL Showcase, the work transforms abstract emotion into physical confrontation.

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This project marked Mingxiang Wang’s professional debut in Slovenia, offering a profound engagement with Central European theatre contexts and diverse performance genres.

A site-specific video installation at Tokyo's Denchu Hirakushi House — a Registered Tangible Cultural Property — presented under Tokyo University of the Arts (Geidai). Wang contributed his Super 8 work Déambuler: Blue Dream, placing personal analogue memory in dialogue with historic architecture and diverse East Asian voices.

Blue Dream (2022) is an autobiographic Super 8 video by Mingxiang Wang, screened at the opening of the UK AIDS Memorial Quilt display at Woolwich Works. Invited by METRO Charity for World AIDS Day, the work uses the intimacy of analogue film to confront stigma and speak across generations.

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Metamorphosis of Masculinity (2022) is a site-specific performance art work that interrogates the rigid constructs of gender performance. Set in London, the piece uses the biological and social body as a canvas to explore the tension between inherited masculine archetypes and the internal drive toward a more fluid, liminal identity.

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Interval is a COVID-era performance film exploring solitude, visibility, and archival power, where a partially unseen body on the Sussex coast questions who gets recorded, remembered, and left out of history.

A BFA-funded narrative short film exploring digital identity and gender performance through the lens of a single-parent family in Beijing. A professional demonstration of synchronous sound design and commercial cinematic structure by Mingxiang Wang.

A debut experimental short film directed by Mingxiang Wang at the Beijing Film Academy (2013). A non-narrative investigation into the subconscious, exploring the surreal boundaries between dream, desire, and the physical body.